With the introduction of Perspex and fluorescent light in this series, TWOONE has again discovered a new process by which to define his subjects. His treatment of paint on the Perspex surface is in stark contrast to that on his canvases. Working in reverse, TWOONE builds up the paint before pushing, pulling and wiping it away to reveal the image. It has required him to be more physically instinctive and responsive than ever before. It has also left a lot to chance, particularly the tonal range left by a smudge or a scrape that could never be completely controlled and is only revealed in full under the fluorescent lighting. As they glow beyond the outer edges of the frame, these paintings appear to not only to mimic an x-ray in their skeletal framework, but to again fortify the ties to sun gods of light and warmth as radiating beings.
Be it through his large-scale wall works, his deftly crafted ceramic busts or his prolific painting practice, TWOONE’s distinctive take on humanity and the animal kingdom is profound. It is conceivable that TWOONE is intentionally recording these figures as creatures to be worshipped, much like the deities of ancient civilisations. It is also possible that these works are in fact a subconscious, spiritual belief played out through his art practice. Whatever the case may be, TWOONE is an artist resisting categorisation.
More details via www.backwoodsgallery.com
Opens The 10th of October 6-10 at BACKWOODS GALLERY