Archive for the ‘Interviews’ Category
Sunday, July 17th, 2011
In the lead up to WATIM’s 12 x 12 exhibition opening, we have interviewed a few of the artists including Sean Morris, Troy Archer and Mark Alsweiler. For the last in the series, we caught up with one of Australia’s most recognized street artist, Rone.
Firstly, for our readers who aren’t aware of your work, tell us where you’re from and what you’ve been painting lately.
I’m from Melbourne, have been stencilling since 2001, but really got into putting up posters with the guys from Everfresh since 2004. Over the years iv’e covered a few subjects but what im know for is female portrait.
Alot of artists from the original street art era either stopped using stencils or changed their style, whereas you have always been on the same road. Was this a conscious decision?
Yeah plenty of my friends & peers progressed into more traditional graffiti or stopped all altogether. I tried my hand at it but knew I should stick with what im good at. I’m all about making a good strong image as quickly as possible. Using paste ups meant I could put up a dozen of huge works in one night rather then one that could take hours to get right if hand painting it.
Why have you always chosen the female face to work with?
I think the female face’s work great on the street when they are starting to decay. There is something about that contrast of beauty and decay or how fragile beauty can be.
In your last show at Backwoods Gallery we noticed you styled and shot your own models for the hero images. What was that process like?
It was great to actually work from my own source imagery. I drafted up a series of looks based on the stages of grief (shock, denial ect) and then once I had convinced Kirsten (the model) of what I was doing I got a photographer friend, Tony Mott to shoot it and also a make up artist (Hannah Marshall). They really didn’t know how it was going to look in the end, so I was using up quite a few favours to make it happen and honestly I only had a concept of stencils over the bill posters but was not sure if it would work out or just look like rubbish.
What have you got planned for the 12×12 show?
I have continued what I was doing in my Backwoods show but smaller. Trying to get the look of decaying images like you find on the street.
Do you have any plans or projects coming up you can tell us about?
Yeah i’m pretty much have my calendar full until Feb next year.
I’m part of a few group shows in the states, one in San Fran with an all Australian line up and then Miami as part of Art Basil and early next year there is talk of heading over to Hawaii for the Pow Wow event.
Tags: 12 x 12, Ambush Gallery, Everfresh, Rone, Sydney
Posted in Interviews, Openings | 1 Comment »
Monday, July 11th, 2011
In the lead up to WATIM’s 12 x 12 exhibition opening, we are selecting a few contributing artists to sit down with and get some more info about what they’re up to and what they are producing for the show. This week is New Zealand’s finest export, Mark Alsweiler. An artist with a taste for skulls, birds, feathers and all things folk. Read on below…
Firstly, for our readers who aren’t aware of your work, tell us where you’re from and what you’ve been painting lately.
I grew up in a small town at the bottom of New Zealand. Have been living on and off in Sydney for the last 3 or 4 years though. Have been here nearly 2 years this time I think. Been working on a solo show coming up so have painted a few larger scale works and painting some little wooden sculptures for that plus some smaller works. Have been trying to blend my character style with more of a realistic influence too lately.
You’re originally from New Zealand. What made you decide to move to Sydney?
A lot of New Zealand young people move to Australian cities because they’re more exciting and have more things going on. A lot of my mates from home moved to Melbourne. I was the same but I just knew more about stuff that was happening in Sydney. Gallery’s like China Heights and Monster Children here who were showing work that I liked and was a similar style to what I was making at the time. I ended up getting a show at the Heights and just ended up staying after being back here. There’s more stuff going on here with that type of artwork than back home I guess. Still love going back to NZ though.
Has your home town or current environment had an effect on your art?
Its hard not to be influenced by everyday living but not so much the physical environment or lay of the land these days. I like to reference things I like or am interested in. I have always liked old stuff, so I will often look at old books for old images or find stuff at junk shops to draw and reference. There are loads more of these over here so that has helped in generating ideas. I draw mountains sometimes though that’s probably an influence from back home in the deep south.
Your work reminds us of folk tales or a kind of alternate world. Are these worlds made from personal experience?
No I don’t think so, not consciously anyway. I like the idea that people see a story in my work, but generally I’m not necessarily telling a specific story. I get influence from a lot of folk art though, which often have or had a narrative involved. I like the idea of collecting a whole lot of different elements from a variety of sources and then putting them all together under in a similar style to create something new.
We recently posted a photo of your billboard in Leichhardt. How did you find painting a piece so large?
It was real fun, I have always wanted to give a large scale piece like that a go and the Leichhardt Billboard was just good to start on because I could take my time and do it over a few days. I did it all with brushes and rollers so it took awhile. It was nice to do something just for fun too, not with the idea of trying to sell it in the back of your mind, which can make it hard sometimes when your making art. Definitely keen on doing some more murals in the near future.
What have you got planned for the 12×12 show?
Because they are a bit smaller than the work I usually do I’m just taking certain things from a lot of a my paintings and using them on their own. So there is a bit of variety in the subjects trying out a few new things. Keeping it fairly simple though.
Do you have any plans or projects coming up you can tell us about?
I have a solo show at China Heights here in Sydney on the 29th of July, there will be a little zine available at that too. Then me and Max are having a joint show at Nine Lives in Brisbane September 15th. Plus if you like artwork on t-shirts I have a few shirts I designed for RVCA coming out soon.
Posted in Interviews, Openings | 2 Comments »
Tuesday, July 5th, 2011
In the lead up to WATIM’s 12 x 12 exhibition opening, we are selecting a few contributing artists to sit down with and get some more info about what they’re up to and what they are producing for the show. This week we have chosen Troy Archer from Queensland. Originally from Sydney’s Northern Beaches, Troy now lives and works out of the Gold Coast, producing work that has both intricate meaning and line work. Check out the interview with one of Australia’s best biro bandits.
Firstly, for our readers who aren’t aware of your work, tell us where you’re from and what you’ve been painting lately.
I’m from Sydney originally, born in Mona Vale and have lived on the Gold Coast for the past 20 or so years.
I’ve been making works for this amazing show called 12 x 12, you may have heard of it through the online grapevine.
Do you think where you live has an effect on your work?
Yeah, it’s kind of hot up here so most of the time i’m drawing in boxers and no top, which means I draw lots of sexy old people because I feel sexy myself. Apart from that I spend a lot of time travelling with work so I get to see other peoples amazing stuff every now and then which is perfect, that way i’m not too influenced style wise, but inspired enough to keep pushing my pen and brush around the page.
You predominantly use biro and watercolour. Why have you chosen these tools?
To be honest it wasn’t intentional, it was just something that happened over time. I messed around with watercolour, indian inks, acrylics and whatever else for a really long time but I kept coming back to biro for something unique, or so I thought. I did a series of 4 big biro drawings a few years back and had them framed, I liked how they made me feel and my wife liked the look of them so I settled on that style for a while until the rest faded out and that was pretty much all I did. It’s just recently that i’ve added watercolour via this little triangular pattern because all the blue was slowly making me depressed. I really like that biro is so unforgiving, it’s such an accomplishment when a piece doesn’t go astray. Actually it’s a bit of a nice-nightmare sometimes.
Are you formally trained?
I did a diploma of graphic design about 12 years ago which I dropped out of 2 months prior to completing. I was falling asleep in class all the time so I gave it the flick. I had started a new job which was kind of the dream job at the time so that took my energy. I randomly do freelance graphics jobs and I have graphic artists working with me at my day job, so my experience with graphic design has still been really helpful.
So, we heard something about your dog chewing on your 12×12 artworks. What happened there?
Yes, his name is Olly and he’s rad. But this one day, after 5 months of drawing nights (I was two pieces from being finished) Olly noticed that someone had left the spare room door open. I had the 10 finished pieces out on the bed so I could keep checking them out and staying motivated to finish the set, and he thought it would be fun to hop up on the bed, have a play, do some ripping and tearing, some puncturing with his doggy teeth, creasing every piece with his little doggy feet and just generally having a good time. I couldn’t believe he’d done it and I was fucking gobsmacked, all I could do was have a long shower in the dark until I was calm enough to go and get some chocolate. Life goes on hey, really what can you do, worrying is poisonous you know.
Maybe you’re dog could sign them and it could be a collabo? Collabrador?
Oh man, haha, that’s amazing! He’s a Spoodle which is a Cocker Spaniel crossed with a Poodle. I found out yesterday from my sister that there is a type of dog called a Golden Doodle. You can have a lot of fun with that one, “i’ll be there in a second, my Golden Doodle is doing a piss on your car”, “I’m going to take my Golden Doodle for a run”, “my Golden Doodle got out yesterday and it chased an old lady down the road”. Really you could just keep on going with that.
Do your portraits have stories behind them?
I’ll try and keep this simple. Life is fragile and I always feel like i’m going to die before i’m old or ready, I know it’s silly but it’s how I feel because i’ve been close before and it’s not that awesome. Because of that dire feeling that hangs around the back of my head I have this overwhelming appreciation and respect for the elderly and I try and keep my level of seriousness to a manageable volume. So, you’ll notice that all the portraits for 12 x 12 are of the elderly, these people have made it through. Whether they are homeless, eclectic, kooky, asleep a lot, a little disgruntled or whatever, they’ve survived, enduring the test of time and the turns that come with each day. The colourful watercolour is youth, enjoyment, lightheartedness, optimism, pranks, jokes and that kind of shit, old people do that stuff but you don’t always notice it. Hopefully I get to be an old funny guy one day, i’ll try my best to get there.
Do you have any plans or projects coming up you can tell us about?
I’ve started working on a solo show for Retrospect Gallery, hopefully I can get that done in the next 6 or 7 months. I’m also working on a whole different project that involves the old and awesome crap I find every day at the tip but that’s going to be a longer term thing. Make some nice pictures at night, try and stay healthy, I can’t ask for much more than that.
More info on Troy here. Check out the 12 x 12 website for more opening night and exhibition details.
Tags: 12 x 12, Ambush Gallery, Retrospect Gallery, Sydney, Troy Archer
Posted in Interviews, Openings | 1 Comment »
Thursday, June 30th, 2011
In the lead up to WATIM’s 12 x 12 exhibition opening, we are selecting a few contributing artists to sit down with and get some more info about what they’re up to and what they are producing for the show. To kick things off, we have chosen Sean Morris from Perth. An artist who’s work is quickly becoming recognized around the globe for it’s weird and fantastic nature.
Firstly, for our readers who aren’t aware of your work, tell us where you’re from and what you’ve been painting lately.
PERTH. I paint things that i think are awesome, and things that are terrifying. It’s good when they’re both, like spring beak and skullets. A lot of people fixate on the fact that i draw ‘ugly’ people but it’s about more than that. Well, slightly more… I’m more interested in trashy behaviour and dodgy rituals than in just drawing drool and cankles.
Your work makes us laugh. Is this your intention?
I don’t really expect laughs, i don’t think i’m funny. But I stick pretty fiercely to the game plan of trying to make the work that i wanna see; stuff that i would get excited about or that would make me smile – even laugh – if i stumbled across it. I figure if it entertains me while i’m doing it, it’s at least got half a chance of entertaining some other weirdo.
How do you come up with a concept?
I find that each idea flows on from the last, in some form or another. Humanity is a giant trash pile and i’m slowly digging my way towards the centre of it. I’m wearing rubber gloves, football boots and denim cutoffs. The rats ate my Hawaiian shirt.
Do you think art can be too serious some times?
I have no idea what art is, but whatever it is, it’s probably too serious almost all of the time.
I could definitely see your painted worlds become an animation. Have you ever thought about taking that step?
Sure. I often see these paintings in my head as little movies, so it’d be nice if other people got to see them too, also i think they’d look pretty good on TV being broken up by ads for car insurance and The Amazing Race.
What have you got planned for the 12×12 show?
It’s a series called Planet of Bad Girls. Probably the most straight up low-brow stuff i’ve ever done – green and purple tattooed space babes wrestling and pulling out each others’ hair.
You’re a part of the Last Chance Studio. Tell us a little bit about that.
Last Chance is my dysfunctional second family. We built it out of dreams, dick jokes, Perth pride, being nice to people, wearing obnoxious team jackets and not giving a fuck that we live in a tiny beach town that’s afraid of everything rad.
Do you have any plans or projects coming up you can tell us about?
Heading to London in August to do a solo show at BEACH Gallery, and launch a zine i’m making about a white trash swamp gym. Working title is Killer Abs Will Kill You. Then teeing up a summer solo in Melbs with Colour By Numbers. I have no idea what that will consist of, maybe just a giant painting of Tom Selleck’s moustache, with me high-fiving people underneath it. Please come.
More info on Sean here. Check out the 12 x 12 website for more opening night and exhibition details.
Tags: 12 x 12, Last Chance Studio, Perth, Sean Morris, We Are The Image Makers
Posted in Interviews, Openings | 2 Comments »
Thursday, September 30th, 2010
One of the greatest things about having this website is that I get introduced to alot of amazing artists that i’ve never come across before. Nicole is just that. I knew nothing about her apart from a brief introduction, so I thought we’d ask her a bunch of quick questions to find out more.
First of all, can you tell us where you live? Have you always lived there?
I live in Fitzroy, Victoria. I’ve lived here for nearly 15 years and I can’t see myself living anywhere else in Australia. I am constantly inspired by the mixture of people and street art here. I grew up in the country in not a very creatively inspiring small town.
How long have you been taking photos for?
I’ve always taken photos, but that small town wasn’t a good environment to foster the passion. I started my career as a Graphic Reproducer and then a high end drum scanner operator. That lead on to retouching and finished art. Then about 7 years ago I started working for a magazine called Tattoos Downunder and the publisher asked if I was interested in taking photos for the magazine. That was it for me, I knew definitely that taking photos is what I wanted to do. I’ve been freelancing now for almost 3 years and share an awesome photography studio in Collingwood (http://www.rokebystudios.com.au/) with some very inspiring photographers.
You’ve managed to snap a lot of quite famous creative people. How do you manage to get these people in front of your camera?
It wasn’t until you mentioned it that I looked through my website and released that 80% of my portraits are of artists of one sort or another! A lot of the portraits are commissioned and I think I have a certain empathy towards how artists feel in front of the camera as I hate getting my photo taken!! A lot of people always comment on how “painless” my shoots are, and I guess word gets around! I do a lot of work for a journal called T-world where I get to photograph a lot of street-wear heavy weights.
How does the environment of these photographs differ to your commercial work?
Oh, a lot of my commercial work is pretty “environment-less”!! I still shoot interiors, product and furniture which is great and sometimes therapeutic, but I’d really like to concentrate on portraits, and specifically environmental portraits. Most of my work is done on location and I prefer not to do know where I am doing a portrait until I turn up, it keeps it spontaneous and I love thinking on the fly.
What can we expect to see from this show?
I have over 20 prints of all different tattooers, mainly from Australia that I have shot in the past and specifically for the exhibition. It’s a good mix of group shots and individuals.
“These Artists”, Nicole Reed’s first exhibition in Brisbane captures in perpetuity a group of artists whose work stands the test of time. Nicole has travelled the world collecting the souls of her favourite Tattoo Artists. This in itself is a rarity as the most often
photographed aspect of this industry is the end result, not the artists themselves.
“These Artists” Opens Wednesday 6th October at 7pm.
Seventh Circle Studios. 890 Stanley St East, East Brisbane
www.ashotaway.com
Tags: Nicole Reed
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Tuesday, March 9th, 2010
The Opening Hours is proud to present a whole new series of interviews with a selection of the contributing artists in chapter 4 of Go Font Ur Self*. The exhibition “dedicated to exploring and pushing the diverse range of techniques employed in type design of past, present and future through original pieces of work from talented typographers worldwide.”
We thought the best way to kick things off would be with one of Australia’s hardest working graffiti artists “Saynt”. If you live in Sydney, you should have come across his walls around the inner west for sure.
1. Describe yourself in a word
Stress
2. Describe your typography?
Some formal training as a designer and signwriter can be seen in there somewhere, however being a total graffiti junkie is probably a bigger influence on my work, and I bounce between commercial, ‘public’ styles and mashed up classic graffiti flavours.
3. Do you adhere to the rules and regulations of typography, or make up your own?
I have more rules governing my graffiti than type based projects- White keyline, in-line, highlights and ‘piano keys’ should be punishable by death!
4. What artists / typographers have influenced you in your recent work.
This work is some kind of response to all the toy panels and graffiti in general I have seen over the last few years, just wanted to drop a bomb on some suckers and no digital type I could come up with was angry enough to do the job so I bashed out a rough ‘face’ that looked like a death-threat… in blood!
5. What is the most acclaimed project you have worked on?
By day I am a community artist working on many projects with disadvantaged kids, watching them bash out their first wobbly looking piece and get psyched on graff is the best job going.
6. what is it about typography that you love?
26 letters can describe anything, and good typography is icing on the cake
7. What is your favourite letter and why?
The ‘S’- it’s so dope, whether it’s some QS with a No.6 sign brush, on screen in Adobe or pumping out a wildstyle piece, the ‘S’ is just too good, you can do so much with it.
8. serif or san serif ?
Old school, New School- I cut out of school fool, its about whatever gets the job done.
9. what can we expect to see soon from you? Other projects, shows, etc.
Pieces, lots of pieces.
More on Saynt here
Tags: Go Font Ur Self*, Saynt
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Wednesday, October 14th, 2009
The Opening Hours is proud to present a series of interviews with the contributing artists in chapter 3 of Go Font Ur Self*. The exhibition “dedicated to exploring and pushing the diverse range of techniques employed in type design of past, present and future through original pieces of work from talented typographers worldwide.”
Go Font Ur Self* opens TONIGHT, 6pm 153 Bridge Rd, Glebe.
For the last installment of the GFUS* interviews, we are proud to bring you Jersey Joe! One of our favourite writers and painters from LA.
1. Describe yourself with one word
oxymoron
2. Describe your typography.
formally informal. what looks good rather than what makes sense
3. Do you adhere to the rules and regulations of typography, or make up your own?
it’s a give and take
4. What artists / typographers have influenced you in your recent work.
I like the lettering from old hand painted signs from the USA. I’m also into fonts related to the Old West.
5. What is the most acclaimed project you have worked on?
My life
6. what is it about typography that you love?
I have a general love of letters
7. What is your favourite letter and why?
the letter R. It’s a love hate relationship. No reason
8. serif or san serif ?
Impact
9. what can we expect to see soon from you? Other projects, shows, etc.
Not sure really? www.JerseyJoeArt.com
Go Font Ur Self* opens TONIGHT, 6pm 153 Bridge Rd, Glebe.
Tags: Go Font Ur Self*, Jersey Joe, Sydney
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Tuesday, October 13th, 2009
The Opening Hours is proud to present a series of interviews with the contributing artists in chapter 3 of Go Font Ur Self*. The exhibition “dedicated to exploring and pushing the diverse range of techniques employed in type design of past, present and future through original pieces of work from talented typographers worldwide.”
1. Describe yourself with one word
hungry
2. Describe your typography.
actually, i’m not sure. i think the biggest thing i want to achieve with my type is to erase the line between illustration & type. my type is usually sort of “edgy”, as lame and design-suave as that sounds. I guess I’ve always been inspired by the things i grew up with, and Ninja Turtles, Monster Trucks and riding my BMX bike come to mind. Music has influenced it quite a bit too, considering I’ve been an avid thrash metal fan, and what’s thrash without vomit? Either way, my type reflects me, and i hope i’m not taken too seriously, and neither should my type. it’s just me having fun.
3. Do you adhere to the rules and regulations of typography, or make up your own?
i am a grid freak, which seams contrary to my inner-idiot who likes to slop shit around and just figure it out. but as far as weight of letters and just the flow of things, Alphonse Mucha and Josef Muller-Brockmann have been my Bible for design. I’ve learned a lot from them, just making sure that my work flows right.
4. What artists / typographers have influenced you in your recent work.
Well, I would have to include Mucha and JM-B, since I mentioned them before, but for sure, I would have to say Herb Lubalin, Municipal Waste, Ed Roth, Jim Phillips, Jeff Soto, and my friend Huey Crowley all have influenced me. Of all of those, Huey is the only one I have really had close contact and feedback with, but yea, those people have all set me in motion in my mind. I have been trying to find influence from other places too, and i have found that my toy box I picked up from my mom’s basement has been a huge influence.
5. What is the most acclaimed project you have worked on?
Not to sound like a totally infant, but in all honesty, probably this one. This is my first gallery exhibition, and its on the other side of the planet, which has been blowing my mind for the last couple months. I’m 22 and barely know anything about the world yet, and to see that I am being featured in the same room as the other people in the show is a totally insane to me. Thanks to Marty, it happened.
6. what is it about typography that you love?
Type is one of those things that you can draw it any way you want, and its new. You can’t really draw a unicorn a million different ways and keep people interested in it, but for some reason, typography has this way about it that it just never stops evolving.
7. What is your favourite letter and why?
Oof. To be honest, I don’t really have one. I really like the lower case “g” when it has two loops, though. That’s pretty fancy.
8. serif or san serif ?
Hey, that’s a trick question! Some serifs are awesome (United, Didot, Rockwell, etc.), and others suck massive (Trajan, Copperplate, Typewriter, etc.) Some san serif fonts are also awesome (Helvetica, Gotham, Avant Garde in most contexts, etc.) and others blow ass (Comic Sans, Chicago, Myriad, etc.) That’s why you skip the confusion and make your own, serifs or not!
9. what can we expect to see soon from you? Other projects, shows, etc.
Well, I just scored a little contract with Target as a freelance illustrator for the boys section, drawing skateboard tee’s, and I was also invited to participate in an exhibit in Barcelona called “The Brrothers Project”… so who knows! I hope to keep busy because it keeps me from laying around, watching knife informercials at 3 in the morning.
www.brettstenson.com
Tags: Brett Stenson, Go Font Ur Self*, Sydney
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Monday, October 12th, 2009
The Opening Hours is proud to present a series of interviews with the contributing artists in chapter 3 of Go Font Ur Self*. The exhibition “dedicated to exploring and pushing the diverse range of techniques employed in type design of past, present and future through original pieces of work from talented typographers worldwide.”
Today we have the second installment of the GFUS* (opens this Thursday) interviews, with British artist Dave the Chimp.
1. Describe yourself with one word
RAWESOME!
2. Describe your typography.
Hand drawn, proper letter spacing!
3. Do you adhere to the rules and regulations of typography, or make up your own?
The ones that makes sense, probably. But I’m not completely sure what the rules are…
4. What artists / typographers have influenced you in your recent work.
Sign writers from the first half of the 20th Century, and advertising artists from the 1950′s
5. What is the most acclaimed project you have worked on?
Typography wise? No idea. I wrote my name in 10 foot high letters with tar on an old building in the Bulgarian countryside. It’s not “acclaimed”, but it’ll still be there years after everyone elses’ fame has faded…
6. what is it about typography that you love?
Communication. A set of pre-determined characters that can be played with in endless ways, forever
7. What is your favourite letter and why?
French. Prevents AIDS
8. Serif or san serif ?
Different strokes for different folks
9. What can we expect to see soon from you? Other projects, shows, etc.
Joint show with Ekta at the Don Gallery in Milan opening November 12th. Working on some new zines. Skateboard graphic for Mob Skateboards out 2010. And compiling a kids colouring book containing the work of 70 street artists from around the world, published by Laurence King Spring 2010.
GFUS* opens this Thursday night, 6pm. Get down.
www.davethechimp.co.uk
Tags: Dave the Chimp, Go Font Ur Self*, Sydney, UK
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Thursday, October 8th, 2009
The Opening Hours is proud to present a series of interviews with the contributing artists in chapter 3 of Go Font Ur Self*. The exhibition “dedicated to exploring and pushing the diverse range of techniques employed in type design of past, present and future through original pieces of work from talented typographers worldwide.”
To kick things off, we’ve decided to go with one of the few Sydney locals. Jumbo!
1. Describe yourself with one word
mega
2. Describe your typography.
i like to cut and shape my lettering by hand so that it has a few uneven curves that give it a personality..I like a bit of rough edge.
3. Do you adhere to the rules and regulations of typography, or make up your own?
im aware of the scale when i make a letter so that it doesnt stray too far from the fit of the font, but rules are bendable as much as the letter.
4. What artists / typographers have influenced you in your recent work.
Herge
5. What is the most acclaimed project you have worked on?
nothing major in the area of typography
6. what is it about typography that you love?
it would have to be the personality of a hand drawn letterstyle . . .thats a buzz for me.
7. What is your favourite letter and why?
ZZZZZZZZZZZZZZZZ look at it . . what a geometric beauty!!!
8. serif or san serif ?
sans
9. what can we expect to see soon from you? Other projects, shows, etc.
Im doing a show at May Lane in St Peters at the end of October with long time collaborator ZAP.
Go Font Ur Self* opens next Thursday (15th) night at Peer Gallery, 153 Bridge Rd Glebe. 6pm.
More on Jumbo here
Tags: Go Font Ur Self*, Jumbo, Paste Up, street art, Sydney, Zap
Posted in Interviews, Openings | 5 Comments »
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