Opening: No Cure Exhibition and Magazine Launch

To coincide with the launch of their 9th print edition, The New Zealand Issue, No Cure Magazine will showcase an exclusive print exhibition at Bench Espresso in West End, Brisbane.

The exhibition will expose a selection of artists from the issue including, Gina Kiel, Greg Straight, Kelly Rule, Sam Mathers, Stuart Smythe and Ross Murray, offering 5 limited edition prints created by each artist.

Catch No Cure’s exhibition and launch night celebrations on the 09 October, 6-9pm.



Issue Cover Art: Greg Straight

Magazine features include:
Greg Straight, Askew One, Gina Kiel, Stuart Smythe, Andrew Archer,
Ross Murray, Sam Mathers, Owen Dippie, George Shaw, Kelly Rule,
The Garage Project, Inject design, Deathray Records and Die Die Die.

RSVP here, or find out more via

Interview: Askew One on the Post Graffiti Pacific group show – Sydney

In the lead up to the Post Graffiti Pacific group show, curated by Olivia Laita at Ambush Gallery, we had a quick chat to Askew One as they prepare for the opening of this monumental break through show.

‘Post Graffiti Pacific’ group show
Where: Ambush Gallery, Sydney
Opening: Thursday 16 July

We are super excited that this exhibition is being held in Sydney. Why did you choose to have the show here and not somewhere else?

To be completely honest, Bill and John at aMBUSH are the first people to extend an invite for us to showcase this movement, it’s that simple. Olivia and I were out in Sydney a bit late last year to work on a project they organised and during some afterwork drinks one night we got into a really in-depth conversation about what how we see ourselves as artists or more specifically how we want to define ourselves, what is our legacy?

PGP group show Ambush Gallery

It seems like the core topic of this show is on the minds of ALOT of artists like yourselves. How does this new term or definition effect you as artists, and also how did the old way of being pigeon holed as “graffiti” or “street artists” effect you?

Yeah exactly, it has been a big point of discussion amongst us, especially as we have all deviated away from just painting graffiti in the traditional sense and started making work that the public can only perceive as ‘street art’. I guess for us, that term irks us a bit because in the 90’s it seemed like a term that was born to create a distinction between us – people who painted more letter-based work which the public hated and another set of artists who started working on the streets as well. From our point of view, the streets were where we did all of our learning and developing and it seemed like a lot of people suddenly came from art schools and the comfort of their studios. The street artists often made something more public-pleasing than us, more identifiable to the average person and did so away from view rather than taking the risk to create in-situ like us and so there was this divide. Obviously this divide is way less apparent today, it’s much less defined because so many people from traditional graffiti writing have evolved to consider themselves artists in a broader sense and make more varied work. The current big trend is towards studio practise and large scale muralism and a lot of the people really thriving in that movement come from a background of painting trains and streets, still not from an art school background. Furthermore, we come from Auckland which is a true Pacific city and the Polynesian capital of the world. Our upbringings, influences and attitudes have been shaped by this very unique experience. As we explore this more it weaves it’s way more and more into our work. We feel this gives us another vital point of difference in the global context.

PGP group show Ambush Gallery

Graffiti is obviously a big part of who you all are. Is there ever a part of you that would like to leave it behind? Is that even possible?

I think we all have different outlooks on this, for example I think some members of our collective stopped painting graffiti in that way earlier than others. For me personally it’s still a huge part of who I am, who I know and how I’ve experienced this world. I’d never turn my back on it completely but I have had to shift my focus a lot. Whereas I used to be concerned with painting graffiti everyday, I’m OK with doing a lot less now and channeling that energy more into my studio practise. It’s just the stage in life I’m in. this deserves attention, I find it engaging and in some ways I think graffiti is much more honest from a younger person. There’s a lot of angst, bravado and energy when you’re young that is hard to maintain forever. I also feel some attitudes in graffiti are very rigid and stifling to creative and personal development, like a strange form of conformity that I find doesn’t adhere with how I view the world anymore. I used to hold some really passionate viewpoints that I laugh at now.

PGP group show Ambush Gallery

Does the actual work in the show and that you produce currently still represent your past graffiti, or has it evolved into something completely separate?

I think it’s different once again for different artists. I think the likes of Misery and Elliot Francis Stewart have made that transition in a way that still clearly adheres to their outdoor work. Although I’ve seen the progression of Gary Silipa, Benjamin Works and Berst’s art personally and know it’s connection, to someone that just knows them from their old pieces it could be seen as a much bigger jump. Route52 has always been shooting photos as well as painting graffiti. I think with my stuff I used to keep a much bigger separation being the two but my studio work has been influencing my outdoor work more than vice versa.

PGP group show Ambush Gallery

Does being located in the Pacific region of the world, more specifically New Zealand, have an effect on your work and process?

Oh absolutely. It’s something we probably overlooked a lot when we were young because our view was always so outward looking. We basically looked everywhere for influence but our own backyard for a long time. When we really reflected on this collectively and asked each other a lot of questions about what was distinctive about our scene, a lot of the powerful stuff can be seen in the documentation of our outdoor paintings. It wasn’t motif or thematic elements, it existed in our surrounds and the people mostly – the stuff we took for granted. Once you turn the microscope on that you find it much easier to understand what makes us different.

PGP group show Ambush Gallery

What can people expect to see at this show?

I’m really proud of the show, so proud of Olivia for curating this and blown away by what my friends have created. Everyone has produced very well realised and finished works, each a progression and distinct leap forward from their last. We are stoked to have the opportunity to show this in a great space and with people like aMBUSH who through their understanding and appreciation have enabled us to do this in an ambitious and grand way.

PGP group show Ambush Gallery

Will all of the artists be in Sydney for the opening, and have you got any other events or projects lined up for while you’re in town?

Nothing else lined up so far. All of us will be there in person except Misery and Berst who have commitments here in Auckland.

PGP group show Ambush Gallery

PGP group show Ambush Gallery

Photos: Wonderwalls Port Adelaide 2015

Firstly, we’d like to thank Joel Moore for directing the biggest Wonderwalls Festival to date, and of course the City of Port Adelaide & Renewal SA for inviting us to bring Wonderwalls to their city, Ironlak, Verb Syndicate and all of our other sponsors, supporters and volunteers. We’d like to also thank the people of Port Adelaide for allowing us into their city to paint both small and (VERY) large murals, which will hopefully stay forever.

Wonderwalls Port Adelaide saw artists from all parts of the world, all over Australia and locally from around the Adelaide region, converge on the Port to decorate and reinvigorate it’s walls. It was an amazing week which hosted an exhibition, an artist panel discussion and of course a series of murals throughout Port Adelaide. Two of which are amongst the biggest murals in the whole country (painted by Etam Cru and Askew One/Elliot Francis Stewart).

Stay tuned for the video recap, however in the meantime click below for the full set of photos. You can also find a great photo recap by photographer Luke Shirlaw, here.

Wonderwalls Port Adelaide

Wonderwalls Port Adelaide

Wonderwalls Port Adelaide

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Wonderwalls Port Adelaide 2015

We are so excited to be presenting the next instalment of WONDERWALLS in 2015! This time, we’re hosting a heap of great local and international artists in Port Adelaide, alongside Renewal SA, together with City of Port Adelaide Enfield and Ironlak.

For more info, please see below or visit the website

Wonderwalls Port Adelaide 2015

International street artists Sainer and Bezt of Etam Cru (Poland), Askew One and Elliot Francis Stewart (NZ) will headline a stellar line-up of local, national and international artists who will transform Port Adelaide into a giant, interactive canvas as part of the Wonderwalls festival in January.

Presented by Renewal SA and The Hours, together with City of Port Adelaide Enfield and Ironlak, Wonderwalls the free three day street art festival will run from January 23rd-25th with large scale murals, artist talks and entertainment.

The festival kicks off on Friday night with an official launch party at the recently upgraded Flour Shed at Hart’s Mill. The free event includes live mural painting, guest DJ’s and food trucks and provides an opportunity for festival-goers to meet the artists and purchase exhibition works.

On Saturday, budding photographers can bring their cameras and join one of the two free Canon photo tours to learn professional tips on how to capture the creation of the large scale murals amongst Port Adelaide’s festival atmosphere, followed by a laneway street party on Saturday night which will feature food and drink offerings from local traders Mayfair Bakery and Red Lime Shack.

Artist talks, an art exhibition in the Flour Shed and a walking tour with Verb Syndicate, are presented across the weekend as the large scale works take shape.

All events are free to attend.

For artist biographies and more visit:

Don’t forget to check in @ourportadl and share your festival photos with us using the official hashtag #wonderwalls.

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Live mural paining and guest DJ’s
Food and drink trucks
Art exhibition with work available for purchase
Meet the artists

WHERE: Flour Shed, Hart’s Mill Mundy Street
When: 6pm – 10pm
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Murals in progress all day.

WHEN: 9am – 11.30am OR 3pm – 5.30pm
WHERE: Leaving from 27 North Parade. Book your free spot through the visitor info centre on 8405 6560.

WHERE: Flour Shed, Hart’s Mill Mundy Street
WHEN: 10AM – 5PM

Panel discussion with selected artists, led by Verb Syndicate
WHERE: Flour Shed, Hart’s Mill Mundy Street
WHEN: 3pm

Food and drink available for purchase from Red Lime Shack and Mayfair Bakery.
WHERE: Rear lane off Robe Street
WHEN: 5pm – 9pm
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .


Murals in progress all day.

WHERE: Flour Shed, Hart’s Mill Mundy Street
WHEN: 10am – 5pm

WHERE: Mundy Street
WHEN: 9am – 5pm

Take a free tour of the festival sites with Verb Syndicate
WHERE: Leaving from Flour Shed, Hart’s Mill, Mundy Street
WHEN: 11am

Video: ‘If these walls could talk’ web series by Ross Liew

We first met Ross Liew through his mural arts festival Graffiato and have been watching him curate and produce amazing projects ever since. A real pioneer and progressive front man for street art in New Zealand.

Ross has just released his latest project, ‘If These Walls Could Talk’. A series of online documentaries about some of NZ’s most notable street art and graffiti art names including Askew One, BMD, Benjamin Work, Mica Still and Elliot Francis Stewart. A rare and intimate insight into the background and current process of these artists.

Sit back, take some time and watch all of them below, and find out more on the website

Askew One –

Benjamin Work –


Elliot Francis Stewart –

Mica Still –

“Created by Ross Liew (Cut Collective) and with the help from NZ On Air Ignite funding scheme, If These Walls Could Talk focuses on five street artists looking at what compels them to paint outside, what drives them artistically, and how they navigate identity, community, ownership and the creative process.

The works of Askew One, Benjamin Work, Mica Still, Elliot Francis Stewart and BMD are documented on video and online, with the series also providing a direct link between the walls painted and the stories captured – both from the online world to the artwork (in learning about the concept and the history of the artist, including their artistic statement with the work), and vice versa, with a link at each mural site available to transport patrons to the ITWTC online hub. “

Video: Project 5 recap featuring Askew, Kyle Hughes-Odgers, 23rd Key and Alex LeHours

The team at Ambush Gallery recently brought together a great mix of artists for another round of Project 5. A yearly art project, which features Australian and International artist painting both live and in their studios, for an outdoor exhibit which eventually produces artwork to go to auction in aid of charity. A great concept, and a great way to have artists from outside of Sydney come to town and show new work.

Check out the video recap featuring Askew One, Kyle Hughes-Odgers, 23rd Key and Alex LeHours.

Project Five Volume 6 from aMBUSH Gallery on Vimeo.

Opening: Project 5 launch night – Sydney

Featuring the work of celebrated contemporary Australian and New Zealand street artists Askew One, Kyle Hughes-Odgers, Alex Lehours and 23rd Key, Project Five Volume Six will transform Darling Quarter’s Village Green into a free open air studio as the artists paint before a live audience. The live painting weekend launches on Friday 26 September from 6-9pm and continues on Saturday 27 and Sunday 28 from 12-3pm. The opening night is complimented by the electronic musical ambience created by Sydney-based artist EARS, with DJ Ray Ray behind the decks over the weekend.

Project 5 opening night featuring Askew, Kyle-Hughes Odgers, Alex Lehours and 23rdKey
Where: The Darling Quarter
Opening Hours: Friday 26 Sep, 6-9pm

Project 5

Outside: Askew paints the Project Ugly billboard – Annandale

While he was in Sydney for Art Month, we were lucky to have Askew take part in our Boring Wall/The Hours x Look Print ‘Project Ugly’ series. A billboard space generously donated by Look Print for artists to express and paint without boundaries or brief.

Despite the weather, Askew painted this beautiful portrait in his trademark style, and Paste Studios were there to capture all the action. The guys filmed this neat little process video and timelapse. Check it out below.

Interview / Studio Visit: Askew One

Askew One TMD MSK (NZ) is one of the world’s most recognised graffiti artists, and we are excited to have him here in Sydney this month. We caught up with him last week in New Zealand at his Auckland studio and again on his arrival in Sydney to talk to him about his involvement in our Wonderwalls Festival and to get more of an insight into his latest body of work created for his first ever Sydney solo show ‘The Evolving Face’ which opens at The Tate next week.

“The Evolving Face” by Askew One
Opening: Wednesday 13th November
The Tate Sydney

Askew - The Opening Hours

The Opening Hours: How have you enjoyed being back in Sydney so far? When was the last time you were here?
Askew: I’ve actually come over to Sydney a bit over the past few years – strangely, never for painting but more so for work. For a few years I was making music videos for a living and I ended up working on a few videos for Sky’high who’s based here. Usually it was a 48 hour stay and would spend most of the time hanging with Sky and her gang of mates who are all real characters. I always like coming to Sydney though, it’s probably my favourite Australian city because it has that tough city vibe.

Askew - The Opening Hours

TOH: This time round you have come here for a few different projects, Wonderwalls Festival this weekend in Wollongong being the first stop. What do you think about the line up? Some new and old faces for you?
A: Great line up! – Heaps of friends I haven’t seen in ages and a few artists I’ve been following but never met. Stoked to be taking part.

TOH: You have a 2 storey high wall to paint at Wonderwalls, any ideas as to what you are going to paint?
A: At this stage I think it’s going to be something in line with the portraits I’ve done for the show in Sydney, that’s where my head is at right now but I will assess when I get there and see what feels right.

Askew - The Opening Hours

TOH: Following the Festival, we are hosting your first ever solo show in Sydney at The Tate in Glebe. Can you tell us about the portrait works you have created for the exhibition, and about the subjects in your paintings and how you select them?
A: My gallery work is where I really get to explore a lot of the concepts I can’t easily communicate through graffiti. I love bridging the gaps between the science and anthropology topics I enjoy reading about in my spare time. I love learning about physics, the origins of life and lately I’ve been fixated with the history of the Pacific region, particularly the migration of people down through the region over the past 4000 years and all the fascinating links in language and art they share. I’m a total student on these topics, not an expert but I process and attempt to understand things more clearly through my art making process. I shoot portraits of people I meet or know well and use the form of their head as a container for the concept I’m thinking about at that time. Right now I’m thinking a lot about the transition of tribal culture from something that is pre-determined to something that is increasingly more self-determined. As the people of the world become more widely distributed across the planet and aren’t necessarily based in their ancestral home, the idea of how you identify yourself is more of a fluid and personal thing.

Askew - The Opening Hours
Askew - The Opening Hours
Askew - The Opening Hours

TOH: The technique you use to make these works is quite unique, can you explain how you technically approach each piece? What materials are you using?
A: Well the obvious thing is all of this work is painted on plexiglass. That has it’s own set of challenges I spent a lot of time perfecting to this point. I work in reverse on the back of the surface and use mostly graffiti mediums and tools with the exception of the white layer which is painted with a very fine brush.

Askew - The Opening Hours
Askew - The Opening Hours
Askew - The Opening Hours

TOH: Being so well known for your graffiti history, is your gallery work a separate outlet for you? Do you feel that your fine art belongs in the gallery and your graffiti work should remain outside?
A: I’m still working that out, but my gut feeling is as far as I try to divide the aesthetic choices of both they tend to come closer together and influence each other. The difference is graffiti at it’s core is still an expressive and impulsive outlet for me, whereas my art is done quite slowly in my studio away from all the excitement of the outside world.

Askew - The Opening Hours
Askew - The Opening Hours

TOH: TMD is New Zealand’s most famous graffiti crew, and MSK is perhaps the worlds most famous crew – Whats your relationships like with both these families?
A: TMD is the group of rag tag teenagers I grew up with and now we are all adults and linked together forever through a really long shared history. I started off like most people as a total fan of so many artists in MSK and eventually became friends with a great number of them. I never thought I’d ever be put down, it actually never crossed my mind. When I was asked it just made total sense though and it felt right.

Askew - The Opening Hours

TOH: What is the current state of the Auckland graffiti climate? And what’s your opinion on Sydney’s current state?
A: Auckland died a little death for a couple of years but it’s starting to creep back. There’s finally a generation emerging that I don’t really know at all which is interesting. Their influences are different too, there’s a real disconnect in aesthetic tradition that has occurred due to the buff being so heavy the past few years. Sydney has changed a lot too I reckon, it’s still a hectic scene but nowhere as violent as it was back in the day. A lot of influence trickled down from here to Auckland back in the 90’s care of writers like Metro, Mayhem, Meson, Tank, Roske and more. 

TOH: What is something you enjoy doing when you are not painting or making artwork? 
A: Eating and talking in depth with good people.

Askew - The Opening Hours

Askew will be painting and doing an artist talk at the Wonderwalls Festival in Wollongong this weekend. Check the festival website for all the program details and to download the map so you can find him down there –

Also join us next Wednesday evening at The Tate, 345 Glebe Pt Rd, Glebe (Sydney) for the opening of Askew’s first ever Sydney solo exhibition ‘The Evolving Face’. The exhibition opens Wednesday 13th November 6-9pm and continues until Sunday 17th November, open daily from 12-5pm. To request an exhibition catalogue please email 

Askew One - The Hours